I'm drawn to a wide and evolving range of visual approaches. I have recently immersed myself in more esoteric processes; infrared capture, manipulated color, split-toning, and monochrome studies. This approach allows me into a more interpretive space, where the photograph becomes less a record and more a translation. In some I deliberately bend reality, pushing color, light, and structure into unfamiliar territory. In others I am more restrained—subtle shifts in tone and atmosphere that invite closer inspection and quiet interpretation.
Across this spectrum, the work explores how perception can be altered, expanded, or gently unsettled.
